I’m delighted to say that my site’s latest post is written by lovely fellow author and keen ‘tweeter’ Victoria Watson (pictured above), whose book Letting Go is available on Kindle. Here you can read her wise words on how to develop character in fiction. Also, see below for her impressive writing credentials!

How Do I Develop Depth in a Character?

Listen and observe.

In order to create a believable character, you need to consider what people sound like in real life. People can remind you how multi-faceted your character should be. It’s easy to forget, when you’re in the writing zone, and portray the character too simply.

Back Story.

My main way of developing a character is by getting to know them – and their back story – inside out. You may not need to include all of this information in your story but you need to know it. If you only concentrate on the things you want your character to say and do in your story, the character doesn’t come alive. What makes your character tick? What’s important to them? What has influenced your character? Think about your own life – how do you describe yourself when introducing yourself to people? You might mention your job or your education, what you might not mention (but know yourself is about the social class you grew up in and your family background). You may tell someone about your political inclination, but you wouldn’t necessarily say why you supported a certain party. You might have been the victim of a crime and you support a certain political party because of their criminal justice policy but it’s not inevitable that you’d tell someone that.

When I’m writing, I sometimes think about forms I have to fill in. I fill in forms for insurance, medical purposes, questionnaires, job applications and so on. This reminds me of the information I know about myself but don’t necessarily give out on a frequent basis. You should know your character as well as you know yourself. That will show in your writing.

Appearance and outfits.

The way someone looks can hint towards their character or some part of their story but looks can be deceptive. For example, if one person’s hair is messy, it might mean that they left the house in a rush or that they’ve been caught in a storm. Likewise, they could be a frazzled mother or they could just not care about their appearance. A man – or woman – in a white coat could be a doctor but they could also be a dentist or on their way to a fancy dress party. Appearance can help but requires more detail in order to tell a story.

Speech.

Think about how people in real life talk. Spend some time listening to people talk. There are fillers – “er” and “um” – as well as pauses. People lose their train of thought sometimes too. Is it realistic to have your character in Queen’s English? Would they say would not or wouldn’t? Do they use slang?

Idiosyncrasies.

Does your character have any traits or habits that stand out? For example, does the character talk with their hands? Do they blink a lot? Do they have any twitches or speech impediments? Think about how your character walks – some people drag their legs, other people speed walk everywhere, and others have big strides.

Empathy.

Put yourself in your character’s position. How would you react when placed in a similar situation? If you encountered a comparable challenge, how would you deal with it? How does the experiences your character has previously had influence how they feel about something? This is why you need to know their back story.

Remember the grey.

Remember the ‘grey’ aspects of life. It’s rare that life is ever clear cut. Most people have conflicting opinions on certain matters and can often contradict themselves. I’m not saying you should constantly use this tool – the more sparing the better, in fact – as using it too much can make your writing (and your character) seem confused. It is tempting to avoid confusion but remember, sometimes real life is confusing.

Detail.

The devil, as they say, is in the detail. Someone’s hair is rarely “brown” for example.

Victoria Watson

Victoria Watson achieved her BA (Hons) in Media, Communication and Cultural Studies from Newcastle University in 2008. She was awarded ‘Young Reviewer of the Year’ in 2009 and completed a Masters degree in Creative Writing in 2010.

Victoria has contributed to publications including ‘True Faith’ (Newcastle United fanzine), NCJ Media’s north-east titles The Journal, Evening Chronicle and Sunday Sun. She has also reviewed for Amazon, Waterstones and Closer Magazine.

Victoria had a story published in the ‘Home Tomorrow’ anthology published by 6th Edition Publishing in 2011. Her work is also featured in ‘Off the Record: A Charity Anthology’. She published a collection of her short stories entitled ‘Letting Go’ in February 2012.

Victoria writes her own blog – to read it, click here.

As a survivor of domestic abuse, Victoria is proud to be a founding member of I Am Woman . One of Victoria’s short stories appeared in the first collection for the campaign – read it here. Victoria’s interests lie in women’s issues, particularly in the Middle-East. She is a supporter of the Women 2 Drive campaign in Saudi Arabia.

Victoria currently lives in the North-East of England and dreams of living somewhere hot and sunny, paying the bills with her writing. She loves nothing more than settling down to read a good book.